Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]

Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]

讲述一支名为“秃鹫小队”的精英侦察部队的故事。1968年，正值越南战争最激烈的时期，他们被派往一个偏僻的丛林，寻找失踪的绿色贝雷帽排。他们很快发现丛林里有一些其它生物。

原始時代と呼ばれる時代、肌の色の白い赤ん坊が生まれた。他の子供との違いが忌み嫌われ、捨てられた赤ん坊は、類人猿のキティに育てられる。 　　赤ん坊は立派に成長したが、母親のキティはリュウを庇って、片目のティラノに襲われ、命を落とす。片目のティラノを倒すためと、本当の母親に巡り合うために、リュウは旅に出ることを決意する。 　　途中で出会った姉弟、ランとドンを連れての旅となるが、リュウの、苦難との戦いは続く。 　　石の森章太郎が「リュウの道」の古代編として少年チャンピオンに連載した漫画が原作。アニメ版ではリュウの母親が超文明の監察官だった等のSF的な設定は使用せず、原始の世界にいきる少年の冒険ものとしてまとめた。

A middle-aged man on the verge of a burnout seeks new energy through a very special form of self help therapy.

A middle-aged man on the verge of a burnout seeks new energy through a very special form of self help therapy.

一个男人发现一个全身长毛的女子。他与她结婚了，目的是为了把她拿到市场上去展览和赚钱。尽管他们的“生意”很成功，但是意想不到的危机随之而来……

原始時代と呼ばれる時代、肌の色の白い赤ん坊が生まれた。他の子供との違いが忌み嫌われ、捨てられた赤ん坊は、類人猿のキティに育てられる。 　　赤ん坊は立派に成長したが、母親のキティはリュウを庇って、片目のティラノに襲われ、命を落とす。片目のティラノを倒すためと、本当の母親に巡り合うために、リュウは旅に出ることを決意する。 　　途中で出会った姉弟、ランとドンを連れての旅となるが、リュウの、苦難との戦いは続く。 　　石の森章太郎が「リュウの道」の古代編として少年チャンピオンに連載した漫画が原作。アニメ版ではリュウの母親が超文明の監察官だった等のSF的な設定は使用せず、原始の世界にいきる少年の冒険ものとしてまとめた。

A newlywed couple embarks on the honeymoon of a lifetime, only to discover they are the unwitting victims of a cruel and sadistic vacation experience.

牧师受邪恶势力控制，被迫做出令人讨厌的行为。